Sunday, 11 October 2015

Random nerd thoughts. I'm tired.

I'm going to be running a Star Trek D6 game for the next couple of weeks, just to see how we get on. I'm using the original Task Force Games' 'Prime Directive' rulebook and the 1st Edition WEG Star Wars RPG, and I've done a quick and dirty conversion so that we can use them both for the D6 system. Hopefully, something will come of it. If not - oh well, we have to try these things.

I'm missing my story-driven, heavy-duty roleplaying with some proper characterisation and melodrama. At first I think 'go complicated' and consider rules heavy games, like MERP or Pathfinder, but then I feel that the rules get in the way. That's why I like D&D 5th, it can be as lite as you want it to be.

In view of that, I'm now looking at Fighting Fantasy again, as keeping it simple might result in some decent roleplaying. Not only that, it'd be nice to game in Titan again.

Friday, 9 October 2015

Book Review - The Autobiography of James T. Kirk

By David A. Goodmnan

Published by Titan Books

I'm a big Star Trek fan, but I've always leaned more towards the movies and The Next Generation and subsequent spin-offs. Recently I've been catching up on classic Star Trek and remembering just how wonderful a show it is, but to do 'The Autobiography of James T. Kirk' book justice I'm handing you over to my wife Lisa Hicks, who was into The Original Series before I was.

'The Autobiography of James T. Kirk chronicles the greatest Starfleet captain's life (2233–2293), in his own words. From his youth spent on Tarsus IV, his time in the Starfleet Academy, his meteoric raise through the ranks of Starfleet, and his illustrious career at the helm of the Enterprise, this in-world memoir uncovers Captain Kirk in a way Star Trek fans have never seen. Kirk's singular voice rings throughout the text, giving insight into his convictions, his bravery, and his commitment to the life—in all forms—throughout this Galaxy and beyond. Excerpts from his personal correspondence, captain's logs, and more give Kirk's personal narrative further depth.'

“I've already got a female to worry about. Her name is the Enterprise.”

CAPTAIN KIRK, Star Trek: The Original Series, "The Corbomite Maneuver"

I first became a trekker at the tender age of 6. My imagination had become a solid base quite evolved from the dribbling and occasional dabble of Dusty Bin and Andy Pandy. Star Trek by day and Batman by night I quickly joined the ranks of baby Uber Nerd.

My mother had felt I was mature enough to cope with the technological age which brought us Metal Mickey so I was allowed to sit at my dad’s feet and through the medium of T.V I Boldly went where no man has ever gone before.

To our household the hero was always Scotty. That institution of my father’s Scotland that held everything together in a complete shit storm and managed to get the old girl ship shape in a space second or the ever dashing Dr McCoy who was the right degree of miserable for me and perhaps formed my current persona "Damn it Jim! I’m a watcher not a writer!".

In the end it doesn’t matter who your favourite was, all characters are surpassed by the charming and sly fox known as Captain James Tiberius Kirk. To be given a glimpse into the origin story of this Starfleet bad boy is a dream come true and with this book you are given full access to his humble beginnings and decadent space adventures.

David A Goodman gives you everything, setting, story and memories. Even watching the original series again from the beginning you can’t help but fill in the gaps of what happened after the extra special episodes back on ship or to Kirk's friends who you really should NOT become attached to. You feel for him and hear more from him on his relationship with Carol and his son David and you weep a little inside when you see pictures of them included as ‘The Search For Spock’ plays in your brain. 

On a read-back I know that this review sounds like a eulogy but when you are raised on Star Trek and then raise your own children on it, it’s special to you. Kirk is a family friend. His ideals and love for Starfleet gives you a morale boost and you long to be travelling through the stars on your own journey and I would definitely choose Starfleet over anything else any day! You also feel that his relationship with his one true woman ‘Enterprise’ keeps him together and you understand why its decommissioning and his desk job would have killed him. 

This book may not be classed as canon by the hard-core of us but to me it’s perfect. It’s well researched and just brilliant. Goodman captures the brilliant and heart-warming friendship between Kirk, Spock & McCoy wonderfully and you realise just how much you miss them all every week you walk with them through good and bad times and indeed their first meeting.
For me my favourite part was the bit I prayed for when this book fell into my hands; "Please please let the Kobayashi Maru be in here”...and without spoiling it... it is. If you’re a fan of Star Trek this is a lovely little read that really does no harm but continue on the legend when you need it the most.

If this was a eulogy...I would simply say Kirk led Such a tragic but beautiful life. One that was truly lived to every potential. 

Lucky Bugger.

Monday, 5 October 2015


On the first Monday of every month, read a new hint or tip from Jonathan Hicks, as featured on and available on Kindle as 'The Book of Roleplaying Hints, Tips and Ideas'.

What makes Gamesmasters act the way they do? Jonathan Hicks would like to know, but he can't be bothered to get involved with all that psychological rubbish. Let's have a look at some of the more common styles of refereeing instead. It’s much more fun.

Gamesmasters. The very words are enough to strike the fear of the gods into the heart of even the hardiest roleplayer. Why? Well, why do you think? The Gamesmaster (GM) is the one person with the power to allow your well-cultivated character to live- or die.

It's ultimate power. It's the ability to spend a few hours with total control over your group of friends. Nothing compares to the feeling of having all the PC's by the proverbials.

But that's not entirely true, is it? Other than being a dining table god, the GM also has a major responsibility to the players. The GM has to supply an evening's play that the players will enjoy, and if the job is done well they come back for more. But that doesn't stop a few GM's from abusing their power every now and then. So what do you look out for? What are the traits that make the power hungry megalomaniacs stick out?

If you're new to roleplaying, then you may find the next few examples interesting. It may give you an idea of who to avoid. If you’re not so new to it all, then there may be a few descriptions you recognise...


GM: Right, you've broken into the warehouse, and as far as you can tell the alarms haven't gone off.
PLAYER 1: I'll sneak to the crates in the corner.
PLAYER 2: I'll cover him.
GM: As you sneak across, you hit a tripwire and a laser hits you in the back, doing damage... (The GM rolls dice secretly behind his screen. As the numbers come up, a slow smile spreads across his face and he slowly looks up at the player. His eyes are twinkling.) Boy, that's gonna hurt. That's gonna hurt real bad.
PLAYER 1: How much damage did I take?
GM: (Shaking his head and pursing his lips.) Oooh, painful.
PLAYER 1: (Getting exasperated.) How much damage have I taken?!?
GM: Oh, do I pity you... etc.

Oh, it makes you mad. Fair enough, the player may have made a mistake or an error in judgement, but there is no reason to lay it on so thick. The Smarmy Git GM will almost sneer at the player as the misfortune piles up, or they'll make the odd comment, such as 'I wouldn't have done that'. Well, of course you wouldn't have done that, you wrote the bloody scenario! Needless to say, this kind of GM doesn't hang on to players long. It's fair enough the villains of the game laughing in the PC's face when something goes wrong, but when you get the impression that the GM is getting some sort of sardonic pleasure out of your misfortune... well, would you stay in his games?


GM: You walk out of the starport.
PLAYER 1: What do I see?
GM: The street. Some people.
PLAYER 1: Anything else?
GM: Yeah, some speeders.
PLAYER 1: Any taxis?
GM: Not that you can see.
PLAYER 2: Any chance of a little enthusiasm, GM?
(The GM shrugs.)

You kind of get the impression that they don't really want to be there. The Bland GM talks in monosyllables, doesn't inject enough energy or description in his GM'ing. In short, they're boring. How can you get that sense of being somewhere when every location is as dull as the last? Games don't last long if the player's imaginations aren't sparked enough for them to visualise their surroundings, or get a sense of individuality from the NPC's. The name of the game is entertainment, after all.


GM: The mist swirls around your ankles as you approach the dark building. The trees loom over oppressively, the branches clawing at the sky. As the building comes into view, you see that the metal walls are gnarled, twisting like some architect's nightmare, the sides forming and reforming, as the glass roof appears to oscillate with dark and bright colours. The windows are warped, casting bent reflections across the glade. The mist appears to be pouring from the single exhaust pipe the building possesses, flowing from it like something alive, covering everything around with moisture from it's damp touch. The ground underfoot... etc.
(The players rap their fingers on the table and look at their watches.)

On the other side of the coin there's the Over-The-Top GM. In an almost direct contrast to the Bland ref., the OTT GM can go off on a descriptive tangent about a location, a character, and an object. Although it's good that whatever the PC's are looking at is well described, there is such a thing as overdoing it, and the OTT GM is probably doing the game more to show off his narrative skills than to actually get anywhere. Well designed and described places only work when your players are able to interact with them without having ten pages of prose jammed down their throats every few minutes.


GM: You turn the corner and you see four guards lounging around the door to the hangar, but they have their blasters out. What are you going to do?
PLAYER 1: I'll throw my grenade and hit the deck.
PLAYER 2: I'll take cover in a door alcove and open up on the first one.
GM: Right. Initiative rolls... good. They get the drop on you. They're very good shots. They fire... two hit you, the other one hits you...
PLAYER 1: Hang on; I thought you said they were lounging around. Don't we get surprise?
GM: No, they're professionals, and you'd better deduct some hit points.
PLAYER 2: Shit.

It's not a game; it's a competition to see if the players can beat the scenario he's designed for them. At least, that's the way the Competitive GM sees it. Roleplaying is not a form of entertainment, it's a set of rules designed to pit players against a GM's creations. If the players don't complete the goal set out for them, they've lost. Hmm. Now, I'm sure I've read somewhere that there are no winners or losers in a roleplaying game, and that the whole group is there for an evening's entertainment and to participate in a game where everyone can have fun. From what I can gather, the GM is supposed to supply stimulating stories for the players to get their teeth into. Oh, that's where I've read it. It's included in every roleplaying game ever written.


GM: So, what was it you wanted to do again?
PLAYER 2: I want to pull my blade whilst grabbing the rope and leaping off the building. If I've judged the length of the rope right, I should swing in through the window and right on top Baron DeGungey.
GM: So you want to draw your blade (flips through pages of rulebook and looks up penalties for drawing a weapon), leap off the building with the rope (looks up difficulty ratings for using a rope in the rulebook companion volume), aim for the window (flips through pages of another supplement for the strength of glass against a swinging human body), and land on Baron DeGungey (consults the book for stats and then quickly noses through the grappling rules in the rulebook). Right, roll for your leap.
PLAYER 2: (Looking at her watch) Actually, I've got to go now.

Nothing is more frustrating than waiting for a ruling from the GM whilst he ploughs through tomes of rules to locate the adjustments for your roll, or to try and find a rule that covers your action. The rules of a particular game should be treated as guidelines because trying to find a reference to every player action takes up too much time. It's also impossible to allow for every idea a player has, but does that stop the Rules Lawyer GM? Oh, no. He'll spend the time looking for that particular rule that decides on the outcome. Even if the rule isn't included in the book, there are several supplements to choose from, no doubt. And even then, the rules will have to be interpreted from an amalgamation of several different rules if the rule isn't there... see what I mean? This is the exact way to stunt a game. GM's should be able to make rulings on the spot, not ruin the pace of a game with their noses in books.


GM: The door to the starship swings open.
PLAYER 1: What do we see?
GM: The figure that strides confidently down the ramp is dressed in dark armour, giving an evil look. The gun slung over one shoulder is huge and powerful. Yeah, this one looks as though he can handle a fight. Mean and moody, with a touch of danger, that's what you can sense.
PLAYER 2: I don't suppose this is your old PC from last year's campaign, is it, GM?
GM: Errr...

Let's skip this one quick, because it is one of the most annoying. The ego-trip GM will bring a powerful NPC into the game, maybe even his old character from an old campaign, and will run it as one of the group, saving the day and rolling high. And why? Well, this GM gets a sense of pleasure from showing up the party with a character that fits all his ideas of a good PC. You have to ask the question- whose pleasure is the game being played for?


GM: The hatchway looks unlocked, and you know for a fact that the computer centre is down there.
PLAYER 1: I'll make my down through the hatch.
PLAYER 2: I'll draw my pistol and get my flashlight out.
GM: (Ignoring player 1) You pull your gun and descend through the hatch.
PLAYER 1: I thought I was going first.
PLAYER 2: I'll check the floor for booby traps and sensors with my infrared.
PLAYER 1: I'll head over to the computer bank.
GM: There doesn't seem to be any traps or alarm systems, but your eyes do detect a heat trace in the corner.
PLAYER 1: Hello, GM? What about me?

This kind of GM is not too common and good job too. The Favouritism GM will pretty much give most attention to the player whose character he likes the most, or to the character whose player he gets on with better. Players have gone to a lot of trouble to turn up for a few hours of gaming, so can you imagine their frustration at being dealt with for a few seconds every few minutes? The ignored players are the ones that don't return to a game because they don't like the thought of sitting around while other players hog the game. I mean, it's alright for the GM; he'll constantly have a hand in the game. It's not much fun watching others have a better time.

See any you recognise? See any you would avoid at all costs? Do you see any you can relate to as a GM? The examples are nothing but surface observations. It would be way too difficult to postulate on why the GM does certain things in certain ways to certain characters or players. Not only would it relate to how the GM's mind works, but it would also have links to the relationship between GM and player. Once again, the diversity of the roleplaying hobby has bred different views on how a game should be run, but all games should have a common factor - that it should be entertaining to both players and GM's to further the enjoyment of participation and the growth of a healthy campaign. Fair enough, the examples may make you point your finger at your GM and shout, 'That's you, that is!' Just think about the similarities between the script and paragraph and your own games for a moment. Do you think what the GM is doing will ruin the game? Will it stunt the growth of the campaign? If the worst comes to the worst, will it cause animosity between friends? Maybe, as a player, you are used to that kind of GM'ing, and may actually enjoy the way the games are being run.

The examples can be used for three things- as a reference for new players, so they can think about what kind of GM they want to game with, or avoid. For experienced players, so they can be aware of problems in their game. And most of all the GM, who can look at the example and question himself... am I like that? What will happen to my sessions if I don't correct the problem?

It's also a bit of a laugh, so players can point the finger at the GM and say, 'that's you, that is!'

Wednesday, 30 September 2015

Review - Dogs of War

By Paolo Mori

Published by Cool Mini or Not

"Conceived by renowned game designer Paolo Mori, Dogs of War is an elegant game set in a steampunk-influenced renaissance universe. Noble houses engage each other in a series of fierce battles, and it is up to the players and the Dogs of War they control to deploy their private armies in support of whatever house they wish to favor.

Clockwork knights and imposing war machines shift the tides of war as they enter the battlefields, but the interest of their Dog of War captains actually lie in the rewards offered by each noble house to its supporters.

Players will want to gain influence with the noble houses and make sure those houses are victorious in battle so that their influence is more valuable at the end of the game. Thus the Dogs of War flock to support a house on the rise and are all too quick to betray their previous patrons if things go awry. There are several pathways to victory, from crushing your opponents in battle to managing to gain influence with the right houses, or simply reaping the best battle rewards offered by them."

I usually reserve my 'this is a great looking game and has high production values' comments for another publisher Who I Will Not Name, but if I didn't know better I'd assume that this wonderfully illustrated and hefty box had been produced by that other publisher Who I Will Not Name and had followed their usual standard. I'm new to Cool Mini Or Not and straight away I'm impressed by their product. It's well packed, there's plenty of components and it feels like a worthwhile spend of RRP £44.99. It's at all gaming stores now, so find your local store here.

Speaking of contents, inside the hardy box you get a game board, coins and tokens of various use, cards for all occasions, some nifty player's screens that keep your machinations secret, and some plainly coloured but well sculpted playing pieces, like busts, that act as representations of the mercenary captain each player wants to play. It's all of very good quality and there's plenty of material, so at first it may seem a little daunting and complicated but it really isn't that bad once you get into the flow of the game.

And what a simple game it is - after a game overview there's just six pages of rules that are easily interpreted and will get you up and running in about an hour, based on playing the game with three players as we did. In fact, the majority of the rulebook is background material which fills you in with the backstory of each of the captains and the world they live in. It's the kind of thing you'd expect to see in a wargame or tabletop RPG, and it's an interesting world and adds flavour but doesn't influence gameplay.

It's at this point I'd usually explain how the game works, but you can download the rules for free here and straight away you can see how the game works, what's involved and read about the history of the world.

So let me tell you how this game worked for us.

First and foremost, we had a lot of fun with it. It was easy to grasp but even though we were playing with the minimum number of players - it's for 3 to 5 people - it did take a while to get set up correctly. I think our mistake was handing the rulebook around, but what we should have done was leave it with one person to instruct the others and then step in if they weren't sure about something.

So, we chose our captains and regaled each other with stories about the mercenary we had chosen. That's not part of the game, we just did that for fun, but after reading the background it seemed a shame not to reference it and add some atmosphere.

Then we started to hire armies and choose our battles. It was going swimmingly... and then the scheming started. And with scheming come suspicion. And with suspicion comes ATTACK HIM FIRST BEFORE HE DOES THE SAME TO ME, GODDAMIT!

This is where Dogs of War is a very fun game. You choose where to place your captains to win the victory and claim the prize, but it also pits you against the other players around the table as well as form uneasy - and potentially fatal - alliances. We were choosing the house we wished to support and then started to commit. At first we were enjoying the game but it really doesn't take long before you realise that everyone around that table that's not you wants you to fail. And fail big time. So, all you can do is hit back. I can't go into what was actually said - the language is far too colourful - but there were some amazingly heated debates around the table that night, and once it rose to fever pitch we called it a night, with the promise that we would play again with cooler heads.

Don't get me wrong; this game may seem like it makes you hate your friends, and that they hate you, but that's the fun of it - there are games out there where you play, lose, then graciously shake the hand of your opponent with a muttered 'good game'. Not Dogs of War. We were ready to flip the table, accuse each other of either betrayal or simply cheating, and start jamming the pieces where they weren't supposed to go. This game isn't just about winning tokens or cards, it's about being the best and everyone - everyone - wants to be the best.

Perhaps we missed the point. Perhaps it was just meant to be a simple strategy game that you'd play for an evening and have a good laugh about, but that's not what happened. I blame the fact that there's no dice, no element of chance so that you can say 'that's the luck of the draw' and blame it on fate. Although there is an element of chance, it's primarily down to the decisions and deviousness of the players, and that's what makes it playable over and over again.

Dogs of War is a cracking game. It won't tear friends apart but it will certainly make for some interesting conversations both during and after the game and it makes for an evening of surprises and shocks. It makes me laugh even now how fast alliances would change every turn, and that 'what will happen next?' factor will make you want to come back to it on a regular basis.


Sunday, 20 September 2015

Book Review - Empire of Imagination: Gary Gygax and the Birth of Dungeons & Dragons

Empire of ImaginationBy Michael Witwer

Published by Bloomsbury on October 6th

"Here, for the first time, is a comprehensive biography of the mythic icon among geek and gaming culture, Gary Gygax - and the complete story behind the invention of Dungeons & Dragons.

The godfather of all fantasy adventure games, Gary Gygax, has a life story that has only been told in bits and pieces. Michael Witwer has written a dynamic, dramatized biography of Gygax from his childhood in Lake Geneva to his untimely death in 2008. Gygax's magnum opus, Dungeons & Dragons, would explode in popularity throughout the 1970s and '80s and irreversibly alter the world of gaming. D&D is the best-known, best-selling role-playing game of all time, and it boasts an elite class of alumni - Stephen Colbert, Robin Williams, and Junot Diaz all have spoken openly about their experience with the game as teenagers, and some credit it as a workshop where their nascent imaginations were fostered.

Gygax's involvement in the industry lasted long after his dramatic and involuntary departure from D&D's parent company, TSR, and his footprint can be seen in the genre he is largely responsible for creating. But as Witwer shows, perhaps the most compelling facet of his life and work was his unwavering commitment to the power of creativity in the face of myriad sources of adversity - cultural, economic, and personal. Through his creation of the role-playing genre, Gygax gave generations of gamers the tools to invent characters and entire worlds in their minds. Told in narrative-driven and dramatic fashion, Witwer has written an engaging chronicle of the life and legacy of this emperor of imagination."

I thought I knew about the history of D&D.

I've tried to start this review several times from several angles; my feelings about biographies, my history of gaming, my own experiences with the industry, and how gaming has both changed and influenced my life. The problem is, every one of my personal opinions and experiences cannot make a good introduction to this review because this book is about the man who was instrumental in bringing me the hobby that I love so much. Any one of my anecdotes about how gaming changed my life, no matter how huge and explosive it was, would pale into insignificance compared to the life, history and involvement of Gary Gygax; the man who was the game.

I first became aware of Empire of Imagination earlier this year and my excitement for the book's publication was inflated by an interview with the book's author, Michael Witwer. I felt I already knew a lot about the history of gaming, especially TSR, through other excellent books but what I wanted was something more personal, a more closer-to-the-heart account of what happened. So, when I found out that not only would we be finding out about the man himself but also the tumultuous beginnings of the D&D brand, I was left salivating with expectation.

The 320-page hardback book, with a lavish Jeff Easley front cover that emulates the AD&D manual 'Unearthed Arcana', landed on my desk on Thursday. By Friday I had cleared my reading schedule to sit down and read. By Sunday morning I had finished the book. Gary Gygax went on a long, treacherous and challenging journey in both his personal and business life and, after reading Michael Witwer's book, I feel as though I've been on a part of that journey, too.

The book begins with a pivotal moment in his life - the moment he was ousted from TSR in 1985. This was something that I, and no doubt many gamers, already knew, but then we go back and begin the long journey to this point with details of Gary's childhood life, from a neighbourhood scuffle in the summer of 1948 onwards. These different chapters of his life (referred to as 'Levels', which is an excellent reference to the D&D game but also makes sense as Gary grows, experiences more and more and matures as a man, father and grandfather) are opened with short scripted roleplaying sessions, with an unnamed Dungeon Master guiding a player, Egary, through a long campaign on a quest to find the Key of Revelation. It's a lovely, affectionate addition to the book and after reading it fully I'm sure that Gary Gygax would have had something of a good chortle to himself at the references.

The writing style itself jumps between plain, explanatory narrative to dramatisation. Dramatising events can be something I find contentious, because how could the incident be even remotely correct? How do we know what people were thinking, what their motivations were? However, Michael Witwer does an excellent job making sure that the drama in the book doesn't overshadow the facts that he has gathered from his long, rigorous research, including interviews with many friends, colleagues, business partners and family. He even states in his opening Author's Note; "In many cases, scenes and dialogue have been re-created, combined, and in some instances imagined to best support the known documentary record". You can't say fairer than that. He isn't trying to say that the dramatisations are accurate, but an effective way of communicating what happened. The rest of the narrative, between these moments of semi-fiction,  reads as an account of the incidents from as many different angles as he could gather. If there are areas of contention, or conflicting stories, he addresses them both.

So, did I really have a problem with the dramatised aspects of the story and did they ruin my perhaps unrealistic expectations of being told an accurate story? Well, yes and no. While there will always be a part of me that thinks 'How could you know that?", the long list of people that Michael Witwer acknowledges in the book, all the friends, family and associates that knew Gary Gygax over the years and spoke to the author, and who no doubt shared their personal stories, makes me certain that the story is as accurate as it can be, as accurate as Michael can make it. With every quote and reference there is always a note as to where he gathered the information so every point is covered by his investigations, and that gives me the root in fact that I required. The book has truly been well researched.

The writing is informative and doesn't feel like a dry wall of text. He tries to get across the feelings and emotions of certain moments but doesn't push it, but many times you don't need to be told how people felt or what feelings were running high - just by reading what happened is enough to leave you feeling somewhat exasperated and more than once I shook my head and mumbled 'Why did they let that happen?'. I have the power of hindsight, which makes it all the more frustrating as you read what happens leading up to the key moments in Gary's life, and you see the seeds of destruction planted many, many years before. From bad business decisions, to key people bought in who would change things for the worst, from misrepresentation in the media to the breakdown of friendships, it's all here.

It was his post-TSR days where I also learned a lot, finding out what he got up to after he was ousted. This was a part of Gary's life that I never truly followed as he was always the 'D&D Guy' to me, but learning more about his work on Dangerous Dimensions and Lejendary Journeys was informative and enlightening. On top of all this we understand the legacy he left behind, the ongoing influences that he and his game still have to this day. He truly did change people's lives, across the world.

And I can agree with that, because I was one of those people.

So, essentially, what we have is the story of a man who grew up with a fiery imagination and managed to communicate his dreams to the masses; but the details -  the relationships, friendships, loves and betrayals - make for a compelling and sometimes bittersweet story of a man beloved by millions.

The book left me feeling warm and yet somewhat sad, but it was definitely a most satisfying read. It also made me want to call up some of my old gaming friends, from way back in the 1980s, and get an old-school D&D game on the go. At the end of it all - after all the work, strife, arguments, law suits, and personal hardships - Gary Gygax just loved to play games. And I feel that playing those games, and keeping the tabletop fires burning, is the best way to honour him.

I thought I knew about the history of D&D. As it turns out... I really didn't.

Most highly recommended.

Saturday, 19 September 2015

Book Review - Frostgrave: Tales of the Frozen City

Published by Osprey Publishing

Stories by: Matt Ward, Sarah Newton, Jonathan Green, Ben Counter, M. Harold Page, Mark A. Latham, M.J. Dougherty, Karen McCullough, David A. McIntee, Duncan Molloy and Graeme Davis.

'This new fiction anthology collects eleven stories of wizards and adventures as they venture into the ruins of the Frozen City.'

One thing that I missed from the Frostgrave: Fantasy Wargames in the Frozen City core rulebook was a defined setting. We knew about the city of Felstad and that the Empire around this once mighty city fell into almost ruin when the city was encompassed in the ice, but the lands that surrounded it, what was left of the Empire that now produced these warbands hoping to learn and loot from the thawing metropolis, was a mystery.

I was hoping that this book of eleven stories set in the world of Frostgrave might shed some light on this background and, while it does provide some tantalising glimpses of the world beyond the city, it doesn't really fill in any blanks or fill out the setting. In fact, it gives only snapshots of life beyond the city and doesn't world-build at all.

The game the stories are based on is, after all, a wargame, and the nature of the short sharp stories reflects the short sharp fights that the game creates. This works for the nature of the game, sure, but as a reader who wanted to explore the world this didn't give me what I was looking for.

The stories are very short and build some excellent little pictures of the kind of situations that warbands will find themselves in, but where many short stories are paintings on a greater canvas, these felt much more like sketches of those paintings. The stories didn't really give much time for characterisation, but the motivations of the characters is already defined by the nature of the game; wizards and warbands searching out and unlocking the secrets of this once great city. The stories don't contain very much in the way of characters that you can really feel for or empathise with. At first I felt this was going to disconnect me from the stories as if I couldn't care for the people involved then why should I care about the story as a whole?

But I found that the stories did work in another way - they had twists and turns and revelations and once I realised that the stories were primarily about the way the warbands had been affected by the city, how the city was twisting and manipulating them, I realised that the stories weren't about the characters but about the city itself; the dangers it presents, the mysteries it contains, and the monsters it has produced. There are some great foundations for characters in here that I'd like to see more of - especially Aen and Caelum - but I found myself turning the pages and moving on to the next story thinking 'What will this place throw at them now?' more than 'What will they do now?'

I ended up really enjoying Tales of the Frozen City. At first I was a little concerned that I'd be indifferent to the short adventures as I wasn't really feeling anything towards the characters, but once I realised that I was reading about the city itself it gave me a whole new appreciation of the book, as well as give me some great ideas for scenarios in the game and pointers to how I should be designing my own encounters.

If you're a fan of Frostgrave then buy this book - I doubt you'll regret it. If you're not yet exploring the Frozen City but considering taking the plunge, then this might give you a good starting point to experience the setting and the kind of things you can expect. If you're new to the setting or just a fantasy fan in general then you might get some enjoyment out of the stories but don't expect any multi-layered depth; the stories are too short for that kind of detail.

I enjoyed the stories and, even though I didn't get that setting background I really wanted, I can recommend it.

Wednesday, 16 September 2015

Interview - Joseph McCullough

Frostgrave: Fantasy Wargames in the Frozen CityJoseph McCullough is the creator and author of the tabletop skirmish game 'Frostgrave - Fantasy Wargames in the Frozen City', which is doing the rounds on the tabletop circuit and is getting a lot of well-deserved attention. I caught up with Joseph to find out more about his hobby, the genesis of the game and what else lies in store for warbands exploring the dangerous city of Felstad...

Hello Joseph, and welcome to Farsight Blogger. First of all, tell us a bit about yourself and how you got into this glorious hobby.

Thanks for inviting me. My story begins in Greensboro, NC. My parents were both sci-fi/fantasy fans, so I was already well-versed in some of the classic fantasy worlds like Narnia and Middle-Earth before I could read. My first contact with gaming came when I picked up a D&D box set from a yard sale when I was 8. I didn’t really understand the game, but I knew it was for me. Soon thereafter my father became my first Dungeon Master, for a Middle-Earth Role-Playing campaign. He’d never role-played before, but I think he enjoyed it. He even painted up a few miniatures.

Role-playing became my number one hobby as a teenager, and I took this straight into college at UNC where I spent most of my time (underground) at the local game store, Cerebral Hobbies. I probably played just about every RPG that was popular at the time. My favourites were AD&D, GURPS, CoC, Warhammer Fantasy Role-Play, and Deadlands. Along with this, I played a few miniature wargames. I had always loved painting miniatures, it was just a great way to relax on my own.

Some years after college, I decided to go for an MFA in Creative Writing and made the unusual step of travelling to Bangor in North Wales to do it. I didn’t complete the course, but I met my future wife, so it worked out. After we were married, I relocated to the UK. A year or so later, I got a job with Osprey Publishing in the production department. Nine years later, I’m still here.

Frostgrave: Fantasy Wargames in the Frozen City has been received really well and is doing great on the wargaming scene. How did the idea of a ruleset for just wizards and warbands come about?

From my miniatures collection! Over the years I have painted loads of wizards, but except for the very occasional RPG character, there never seemed to be much use for them. Since, in the UK, I’ve mainly become a wargamer, I kept looking for a wargame that featured wizards, but I could never find one I liked. So, I just decided to write my own.

The setting of the Frozen City, with a vast location covered in ice and snow and slowly thawing out to reveal centuries-old secrets, is extremely evocative. How and why did you come up with such a setting?

I knew I wanted to set the game somewhere really dangerous. I wanted players to feel that they not only had to contend with their opponents, but also with the table itself. Wizards are such powerful individuals, you need a scary location to challenge them.  A ruined magical city worked perfect, both to give the wizards a reason to be there, but also allows infinite scope for creating dangerous, deadly, and just plain weird scenarios. The idea of making it ‘frosty’…that was partly to up the danger factor one more level, but also to do something a little different. I suppose cold fantasy has become much more popular in the last few years, but there don’t seem to be many miniature games that embrace it.

Is there a larger world to the setting? There isn't a lot of background detail in the rulebook but in the 'Frostgrave – Tales of the Frozen City' fiction anthology there's tantalizing glimpses of life outside the primary location. Will you be exploring that at all?

There is more, and bits and pieces will be revealed slowly. However, I am someone who very much likes to keep his setting blurry around the edges. For one thing, the ‘there be monsters’ part of the map tends to be where most of the adventuring occurs, but also, I want players to feel very free to take the setting and use it any way they like. I think one of the reasons the game has caught on to the extent it has is that players enjoy being able to use whatever miniatures they want and making up a back story for them.

Are you looking to expand the rules? There's new campaigns coming out soon but do you have any plans for rules regarding other situations, for example large-scale combat and sieges?

For now, I’m looking to expand in depth, give players more options for customizing their warbands, new scenarios, and expanded rules for adventuring, such as fighting battles underground. Bigger battles could happen someday, but, in truth, I can’t see myself writing it. Larger wargames take a different kind of design philosophy that is much more numbers intensive and usually less narrative focused. I’m not sure I’m the best person to write that kind of game.

The setting - with it's long-lost ruins, empty towers and dark halls - is pretty much perfect for an old-school dungeon-basher such as myself. Any chance of a tabletop roleplaying version of the game?

That’s something I would be better-positioned and more likely to write, and there has been talk about it being a possibility. For the moment though, my schedule is taken up with writing new material for the main game, so it will be a while if it happens.

What else can we expect to see for Frostgrave in the future?

There is a full line-up of Frostgrave material coming next year – two new print supplements, and a handful of smaller e-supplements. There is set to be a bunch of new miniatures released in support of those as well. Beyond that, we’ll, I’m not allowed to say much, but the adventure will definitely be continuing…

Frostgrave Sig

Tuesday, 15 September 2015

Robin of Sherwood: The Knights of the Apocalypse

I don't usually post about crowdfunders, but this show was an integral part of my childhood and I've always dreamed of some kind of continuation following 'The Time of the Wolf'.

'Robin of Sherwood had everything - swords, sorcery, a very angry Ray Winstone, bucketloads of dry ice, even a man with a deer on his head.  

Now, thirty years on, the original cast – including Jason Connery, Clive Mantle, Judi Trott, Nickolas Grace, Mark Ryan, Phil Rose and, yes, Ray Winstone – are getting back together for a one-off audio adventure, The Knights of the Apocalypse

The Knights of the Apocalypse was written after the end of the series by the creator of Robin of Sherwood, Richard 'Kip' Carpenter, but never filmed. In tribute to Kip, who died in 2012, every penny in profit will go to his favourite charities. 

Now you can help bring the story to life and receive exclusive rewards by donating towards production costs.'

Friday, 11 September 2015

Interview - Liz Theis of Lone Wolf Development

herolab-pathfinderA year after my interview with Joe Theis of Lone Wolf Development, I caught up with Liz Theis to find out more about the recent release of the Hero Lab Class Packs for Pathfinder.

Welcome back to Farsight Blogger - it's been over a year since we last spoke, so what's Lone Wolf Development been up to in that time?

It’s great to be back! Since you spoke to Joe over a year ago, we’ve had a lot of new updates for both Realm Works and Hero Lab – Realm Works Player Edition, Pathfinder character creation on Hero Lab for iPad, Pathfinder Adventure Paths for Hero Lab, and now our new Pathfinder Class Packs. In fact, Hero Lab recently won its third ENnie Award due to these fantastic releases!

Realm Works and Hero Lab are two great accessories but you've now got Hero Lab Class Packs for Pathfinder out. Can you go into more detail about this and how it benefits a gaming group? 

The goal of Class Packs is simple – make it simpler and less expensive for players to get started with Hero Lab.

When talking to Pathfinder players, we found that many play the same few classes but want all the character creation options from seven essential rulebooks: the Pathfinder Core Rulebook, Advanced Player's Guide, Ultimate Combat, Ultimate Magic, Advanced Class Guide, Occult Adventures, and Ultimate Intrigue (when it releases in spring 2016).

With our traditional entry path into Hero Lab, you unlocked the classes and character creation content from the Pathfinder Core Rulebook for $29.99, and purchased additional add-ons for $9.99 each to unlock options from the other six rulebooks. This was a great option for players that wanted many different class options, especially Game Masters. But it was prohibitive for the players that wanted to play characters from only a handful of classes, and wanted feats, gear, and spells from all those books.

With the new Class Pack entry path, you unlock 3-4 classes and everything from those seven essential rulebooks for just $29.99. For example, if you select the Druid Class Pack, you’ll unlock the Druid, Oracle, Shaman, and Spiritualist classes, allowing you to build characters from those four classes in Hero Lab. Down the road, you can add more classes by picking up additional Class Packs for only $6.99 each.

Class Packs are a great way for Pathfinder players to start building characters Hero Lab, at an affordable price!

Sneaky question - the Class Packs enables players to unlock 3-4 classes and all the character creation content from Pathfinder Roleplaying Game Core Rulebook, Advanced Player’s Guide, Ultimate Combat, Ultimate Magic, Advanced Class Guide and Occult Adventures, but you also have details from Ultimate Intrigue which isn't out until next year. You've got the inside skinny so can you give us an hints or snippets about what we'll see in that book? Go on, I'll make it worth your while (slips twenty bucks under the table)

[laughs] I’d love to give the inside scoop, but I don’t have much more information than is already publicly available. Personally, I love playing the group “talker” – a character with high charisma and a ton of ranks in Diplomacy. I’m looking forward to trying out the social combat rules, where you’re dueling with words rather than weapons. Knowing the creativity of the Paizo staff, I’m sure there will be some fantastic new feats and gear to accompany this new combat style.

What else can we expect to see from Lone Wolf Development in the near future?

Recently we started selling Pathfinder Adventure Path packages in Hero Lab. Each AP package includes pre-made encounters from all six-chapters, for easy use in your game. Our first three Adventure Path packages were Rise of the Runelords Anniversary Edition, Iron Gods, and Giantslayer. Pathfinder GMs have had great things to say about the packages, so we decided to support the newest AP – Hell’s Rebels. Earlier this month, we released the encounters for the first Chapter – In Hell’s Bright Shadow. We’re really excited, as this is the first AP that we’re updating as Paizo releases the new chapters.

On the Realm Works side, the Realm Works team is making steady progress towards the Content Market and web-access now that Realm Works Player Edition is available. When the Content Market releases, Realm Works users will be able to purchase incredible published material, like Frog God Games’ “Razor Coast” and “Pirate’s Guide to Freeport” from Green Ronin Publishing. Realm Works web-access will be a nice complement to the Content Market, allowing GMs and players to explore their worlds and stories through the web. If you missed our sneak peak of Realm Works on the web, you can view it on our website.

I’ll definitely be back here once these two big releases are available to our users! In the meantime, if you’re not familiar with Realm Works, our campaign management tool, you can learn more on our website:

In addition to the Adventure Paths in Hero Lab and the Realm Works Content Market and web-access, we have a lot more planned! The best way to get the latest news from Lone Wolf is to sign up for our monthly newsletter. If you’re not a newsletter person, I recommend checking out Realm Works or Hero Lab on Facebook, or following us on Twitter and/or Google+.

Thanks for your time, Liz!

Wednesday, 9 September 2015

RPG Review - Onslaught at Arda I

By Fantasy Flight Games

'Onslaught at Arda I is an adventure supplement for the Star Wars®: Age of Rebellion™ Roleplaying Game which explores the themes of desperate struggles, tenuous alliances, and an overwhelming enemy. This 96-page adventure is set at Arda I, a secret Rebel Base, and features mass-combat rules that Game Master’s can use to bring large battles to life, along with in-depth gazetteers that cover the Arda I base, and all-new adversary and vehicle profiles!'

I've said it before and I'll say it again - reviewing adventures for a roleplaying game is a difficult thing to do. Give too much away and it could ruin entire sessions for a gaming group, give too little and what's the point? I can't just say 'this is really good'.

Although, I wish I could say that - because this really is good.

As with all Fantasy Flight Games products the quality is of a high standard, with full-colour throughout and wonderful atmospheric artwork. The adventure is a simple story but it is told with the flair that you'd expect from Star Wars; daring Imperial assaults, desperate fleeing Rebels and dark, dangerous traitors. There's plenty for everyone to do in this book and it'll suit both the careful strategic player and the guns-blazing rip-roaring adventurer.

Not only is the 96-page adventure a great yarn with extra vehicles and adversaries, it also features mass combat rules so that you can recreate those huge battles you've seen on-screen. It's a great little system that's detailed enough to make battles fun and dynamic, but simple enough so that it doesn't overshadow the PC gameplay by removing the players from the adventure while you play a mini-game on it's own.

These new rules aside, the adventure also has a gazetteer for new locations but it can feel a little railroaded sometimes; such is the nature of published adventures, but it does make up for this by giving the GM a great open area where they can create their own adventures, or use the location as a visiting point. There are no less than three worlds that the players will jump between, so there's a lot to do and experience.

Onslaught at Arda I is a fun adventure that feels a little restrictive in the first act but then really opens up with much more open locations as the game progresses. Even after the game is over the GM can use the new locations, and the extra vehicle and adversary stats, as well as the mass combat rules, really help fill the game out and make it a worthwhile purchase.